Main Company Products Contact Request Info Site Map
 
   
 

 

 
  ppppp  
 

 
  ppppp  
 

 
  ppppp  
 

 

Oman Dance Companies, Omani Dance Schools

Custom Search

.

Oman Centre for Traditional Music is just one of the dance companies, Omani dance schools, dancing organizations and dance wear suppliers that that can be found in our comprehensive Directory of Oman Dance Companies.

 

Traditional Omani Dance
Most Omani music accompanies dance and is present at celebrations of all kinds around the country. Music and dance celebrate births and weddings, are used for healing and at times of national pride. Men and women dance accompanied by musical instruments that display the cultural influences of the larger region stringed instruments from the Arab world, wind instruments from Persia, drums from Africa, and even bagpipes, originally from Egypt but more recently played by British military troops in residence in Oman, all influence the sounds of Omani music. Musical ensembles from Sohar on the northern Batinah coast, Quriyat outside Muscat and Salala, in the southern governorate of Dhufar entertained and instructed audiences in the joys of Omani celebrations.

 

Featured Omani Dance Company
Oman Centre for Traditional Music - The importance of dance in Oman funun
The first thing that captures the attention of a non-Omani who watches traditional Omani funun is the fact that they always include some form of movement. Dance is an important element in the structure of Oman's traditional arts. Movement is always closely linked to the musical form, its role and its function in society. For example, the movement in the religious genre, the malid is suitable to the sober, religious situation. The participants in the tauhid part move and sway in a solemn way which emphasizes the religious purpose. In order to stress the element of joy in entertainment genres, dancers in the rabbuba genre, for example, step in a very light and quick way to the fast joyful rhythm which is accentuated by fast drum beats. Conversely, the female dancer moves very slowly to the seven-unit rhythm to express her sad feelings in the dan genre of Dhofar.


If you would like your Oman Dance Company, Dance Organization, Dance School featured here then please email bangkokcompanies@gmail.com

 

There are many fine dance schools in Oman. I know I am in contact with them as we supply a range of high quality dancewear products like leotards, dance pants, dance dresses and other dancing apparel.

 

Bangkok Companies supplies an amazing range of dancewear from Thailand. I have looked at these dance garments and dance accessories in detail. There is only one word to describe them Superb. For more details click on the pictures or send an email to bangkokcompanies@gmail.com We regret at this time we can only satisfy Oman wholesale dancewear requests.

 

"Dancewear designed by dancers for dancers"

Dance Dresses Kids Leotards Adult Leotards Dance Bras  
 
  Dance Pants Tutu's Dance Shorts  
 
Dancewear Dancewear Organizers Dance Bags Dance Backpacks  
 

 

Bangkok Companies is a full service product sourcing company in Thailand. For All your dancewear needs please email bangkokcompanies@gmail.com with your requests.

 


Dance Schools in Oman, Dancewear Suppliers, Dancing Organizations

Mr. Jumah b. Kh. al Shidi
Oman Centre for Traditional Music, Ministry of Information
PO Box 1000 OM-111 Seeb Oman
Tel. (968)601317; Fax: (968)697667
Researcher, folk dances
--------------------------------------------------------------------------------
Mr. Khalfan al-Barwani, Chair
Oman Centre for Traditional Music, Ministry of Information
PO Box 1000 OM-111 Seeb Oman
Tel. (968)601317; Fax (968)697667, (968)723059
khalfan30@hotmail.com 
Researcher, folk dances, Oman, Arab Gulf states; Arab countries
--------------------------------------------------------------------------------
National Commission for Education, Culture and Science, Ministry of Education
PO Box 3 OM-112 Muscat Oman
Tel. (968)704.852, 796.790; Fax (968)705.659
Organization

The Omani dance of death
The lament of dan, known as fan al'dan, dates from pre-Islamic and having roots in the African traditions. The name of the dance comes from its lyrics, which is constructed around the repitition of the word dan. The word is without any significant meaning, but does allow for the expression and improvisation of emotional and sorrowful sighs as in the word "owf," in the Syrian Mawwal. The dance emotional power draws upon a powerful dramatic context, in which a close female member of the deceased performs a ritual dance surrounded by a circle of men. As a ritual lamentation dance, performed by selected members of the society from both genders, dan represents the highest expression of grief within the culture of Oman. Mourning itself is a way of life, which allows for the attainment of an intensified state of confinement and an attempt to relieve its frustration.

The participation of women in this dance is highly unusual. Unlike other parts of the M.E, where public display of emotions by women is usually policed, the woman dancer in dan is liberated from such restraints. Though greater freedom is permitted in private funeral in the M.E, in a Lebanese society of Druze, for example, a female dirge singer at a funeral is instructed not to invoke excessive grief, not to beat herself nor dance while singing and not to sing before male listeners. This is obviously not the case with dan, where both male and female participate equally in creating the shape and ethos of the dance. Greater freedom is permitted in private funeral by the women lamenter so that she can make others cry. Further, some societies view laments performed without strong emotion as an honorable gesture to the deceased. But for the Omani society, the participation in such an expressive domain, like a funeral, represent one of the main social outlets for women. The dancing ritual of dan allows for greater level of outpouring of emotions, usually policed and controlled by the strict rules of society. For this reason, lament is not only a tribute to the deceased, but an avenue in which women are expected to express mourning through crying. Unlike men, who restrain and suppress their emotions, women greet each each other at the door by hugging and crying. The level of intensity in such situations is so high that tears flow naturally and intensely mixed with extensive shouting and sporadic crying.

But in the recent decades, and due in parts to the rapid change in the socio-political life in Oman, there seems to be a move by the society towards the suppression of the dance. This new attitude reflects a tendency associated with urban attitude to control feelings from excessive emotions, especially those of pain and grief. This problem has been amplified by the gradual disappearance of the tradition, in which the young population seem to move away from participating in the traditional social rituals of the elders. They see such practices as primitive and old fashion and are often ashamed of being associated with such tradition.

In any society, the death of a beloved person represents the catalyst of sorrow and grievances and catharcism. Ritually and religiously, it serves as a metaphysical communication outside the official forum of formal customs of funerals. More than just grief, pain refers to an intense and extraorinary emotional state, manifesting itself specifically and structurally through the lament. In the lament, the role of the performer is to move the audience to ponos, pain, and establish a connection between the livings and the dead. The stylized interjections of the dancer and their movement are a clear manifestation of grievance and the creation of extraordinary space that goes beyond our existential domain. In dan, these symbolic rituals are seen in the women tearing her cloths and loosing consciousness. Yet, in many instances, this state of pain and high emotional intensity does not diminish a singer's control of conventions and compositional techniques.

The dance of dan is found exclusively in the Southern region of Oman. In particular, it is a dance accompanied by lyrics, that used to be performed in the city of Mirbat and its neighboring city, Taqah. The two cities are sea-ports overlooking the Arabian Sea and had long traidtion of trades and fishery.

The dance is performed by a close member of the deceased, with the exception of the mother. In most circumstances it is the grandmother, but other members like aunts may participate. The event is usually held after dark at the deceased house within three days of his/her death. In the past, both women and men participated in forming the circle surrounding the dancer, but it seems like tradition favor the men. This, however, does not mean that women are not present at the performance. They do sorround the males and participate in the singing of the refraine (the repeated verse sung). The women dancer who enters the circle should be completely covered with black cloth. She is not allowed to ware any jewelry, perfume, or make-up.

The dance begins with the men forming a circle. They establish the rhythm of the piece by pounding softly on the ground. This pounding will slowly increase in intensity and tempo as the piece develops. In one of the corners sit the musicians, composed of three drummers and a person blowing on a carved shell that produces a single note. While the drums produce different rhythms, the shell is blown against the rhythm in syncopation, symbolizing an ominus event. Shrtly thereafter, the women dancer enters the circle and begins to dance slowly and tragically. When she reaches the center of the circle, she sits down holding her face and begins to cry.

The music of dan is made of short repetitive phrase based on the title of the dance. There is a definite correlation between the lamenting behavior and the dynamic re-shaping of a repeating melody that is enticing and befitting the somber occasion. The dance may lasts from five to ten minutes culminating in the dancer tearing her clothes off symbolically. This act represents the woman's desire to depart with her beloved and the severe pain inflicted upon her by his departure. At many instances, the woman may loose consciousness and reaches the state of tance. The aim of such ecstatic state is to establish contacts with the transcendental plane. In such cases, an appropriate substitute is available to continue the dance. It is uncommon for men to loose conscious as well, seduced by the 1) persisting beat of the drumms, 2) the loudness of the ominous sound of the shell, 3) the men's pounding on the ground, 4) the emotional intensity surrounding the circle, 5) the presence of close member of the deceased including the dancing in the middle, 6) the burning incense and their long metaphoric association with the supernatural, 7) and darkness. All these factors contribute to the dance's powerful expression and dramatic gestures.

Special Offer
Direct from Owner

Thailand Luxury Villas
 Jomtien Pattaya Thailand
. Close to the beach, four bedrooms, fully air conditioned, satellite TV, private swimming pool, free car rental

World Dance Schools, Dance Companies

Albania
Algeria
America
Argentina
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belize
Belgium
Bermuda
Bolivia
Bosnia
Brazil
Britain
Bulgaria
Cambodia
Cameroon
Canada
Chile
China
Columbia
Croatia
Cuba
Cyprus
Czech Republic
Denmark
Ecuador
Egypt
England
Estonia
Ethiopia
Fiji
Finland
France
Gambia
Georgia
Germany
Greece
Grenada
Haiti
Hong Kong
Hungary
Iceland
India
Indonesia
Iran
Ireland
Israel
Italy
Jamaica
Japan
Jordan
Kazakhstan
Kenya
Korea
Kuwait
Latvia
Lebanon
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macedonia
Madagascar
Malaysia
Maldives
Malta
Mexico
Monaco
Mongolia
Montenegro
Morocco
Mozambique
Myanmar
Nepal
Netherlands
New Zealand
Nicaragua
Nigeria
Norway
Oman
Pakistan
Panama
Paraguay
Peru
Philippines
Poland
Portugal
Puerto Rico
Qatar
Romania
Russia
Saudi Arabia
Seychelles
Singapore
Slovakia
South Africa
Sri Lanka
Spain
Sweden
Switzerland
Syria
Taiwan
Thailand
Trinidad
Tunisia
Turkey
Uganda
Ukraine
United Kingdom UK
United States
Uruguay
Uzbekistan
Venezuela
Vietnam
Yemen
Zambia
Zimbabwe
.

Custom Search

 
 

China Companies Directory | Singapore Companies Directory | Thailand Companies Directory | Malaysia Companies Directory | Cambodia Companies Directory

© 2002-2011  www.bangkok-companies.com  - Privacy Policy All Rights Reserved Worldwide 
Site Map Page1 2 3 4 5 6 7 8 9 10 11 12